Michoacán) and the daughter of “el conquistador,” Juan López de Baeza y Married Beatriz Lopez de Fuenllana, a native of Patzcuaro (in present-day Stated earlier, Alonso was the son of Matheo de Rubalcava and of Juana MaríaĪlonso was born in Mexico City, but the researcher Mariano González-Lealīelieves that he was probably born in Heras, a small town 14 kilometers from SantanderĪnd just a short distance from Liérganes. When Capitán Don Alonso Gonzalez de Rubalcava and his wife, Doña Beatriz Lopez
Teocaltiche in northern Jalisco in the second half of the Sixteenth Century, The surname Gonzalez de Rubalcava arrived in A few individuals also maybe have chosen the surname Gonzalez as well. Most descendants discarded the Gonzalez but retained Rubalcava or some variant Implies “the González family from the place called Rubalcava.” However, after a few generations in Mexico, Of the State of Aguascalientes and each of Nochistlán in Zacatecas) and is theĪncestor of many Rubalcava’s in that area. Who eventually moved to Teocaltiche (located in present-day Jalisco, just south Was Capitán Alonso Gonzalez de Ruvalcaba, María Gonzalez, the daughter of the conquistador, Ruy Gonzalez. Rubalcava, who was allegedly a native of Liérganes, Santander, born Rubalcava to arrive in the area of Nueva Galicia (Jalisco, Zacatecas and He did not have to ‘dig’ for a living, meaning he didn’t have to do field work like his father before him, thanks in part to the new education opportunities provided by the government to rural areas during that periodĪlejandro was proud of the uniqueness of his surname, he still decided toĬhange it to the spelling that Paola’s family in Los Angeles continues to use.Alejandro was dark skinned and had very thick, dark black hair.(a fair-haired or blonde person) and that cavaĬame from the Arab word, “to dig.” Having found out this information,Īlejandro changed his name from Rubalcava to Ruvalcaba because, as Paola Ruvalcaba, was a well-known and highly respected professor inĬareer, Professor Alejandro did some research on his last name. Ruvalcaba de Tamayo, has an explanation that has come down through her own Although the Moors were soon to be evictedįrom northern Spain, some influences remained. Peninsula during the Moorish conquest that took place in Eighth Century. It has been suggested that the name was introduced to the Iberian
Khali” which literally means “the empty quarter.” Originated in Santander, there is a widely-accepted theory that the name was This period, in fact, marks the beginning of the Reconquista, which would end with the conquest of Granada in 1492.
MEANING OF AMAYA SURNAME SERIES
However, in 722, the Moors suffered a series of setbacks while trying to subdue the people in the Cantabrian Mountains. In 714, the Moors arrived, capturing Amaya, the Cantabrian capital. In 409, the area became independent of the Roman Empire, only to be taken over by the Germanic Visigoths in 574. The area of Cantabria has experienced several rulers. It is bordered on the east by the Basque Autonomous Community, on the south by Castile and León (the provinces of León, Palencia and Burgos), on the west by Asturias and on the north by the Cantabrian Sea. Today, Cantabria is considered an autonomous area with Santander as its capital. Her first records (Luna nueva, 1983, and Seda en mi piel, 1984) were a clear gamble on so-called flamenco-rock.The surname Rubalcaba (also spelled Robalcava or Ruvalcaba) is known to have originated in the Mountains of Santander, with branches of the surname radiating from Medina de Cudeyo, Liérganes and Navajeda, three locations that are presently located in eastern Cantabria (northern Spain). but she is also comfortable executing other palos, like the soleá and seguiriya.In her artistic career it is possible to identify two periods that are clearly separated by the style of her singing. It is the happy palos (forms) which allow her to express all of her talent: bulerías, tangos, alegrías. She is one of the best contemporary cantaoras of festive styles. She was one of Camarón's favourite cantaoras (female flamenco singers), and they worked together on several occasions.
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